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WG Asian Theatre


Day 1 / Sunday, July 25 & Day 2 / Monday, July 26

Venue & Room: LMU Leopoldstr. 13, Room 1210

Conveners: Mitsuya Mori (Seijo University, Japan), Yasushi Nagata (Osaka University, Japan)


Day 1 / Sunday, July 25

  • Kirstin Pauka (University of Hawaii, USA):
    Changing Gender Roles in Indonesian Theatre
  • Kaori Okado (Osaka City University, Japan):
    When Women are Kings. Cross-Gendered Expression in All-Female Central Javanese Court Dance Drama and its Public Reception
  • Shoko Yonaha (University of Ryukyus, Japan):'
    Identity and Ideology in Modern Okinawa as seen in the Play Saraba Fukushu Ryukyukan (Good-bye Fujian Ryukyu Consulate) and Shurijo Akewatashi (Surrender of Shuri Castle) from the Period of Annexation by Japan in 1879
  • Masae Suzuki (Kyoto Sangyo University, Japan):
    How Can Noh/Kyogen Contribute to Shakespeare Productions, and How Can Shakespeare Contribute to Indigenous Theatre in Asia?
  • Elzbieta Koldrzak (University of Lódz, Poland):
    Indian Traditional Topos of the Womanhood in the Heroine of Classical Drama
  • Ming Yang (University of Hawaii, USA):
    Women on Asian Stage, But not Female. A Study of Mei Lan Fan and Tamasaburo Bando


Day 2 / Monday, July 26

  • Meewon Lee (Kyung-Hee University, Korea):
    The Possible Creation of a Far Eastern Intercultural Theatrical Block. The Joint Production of The Story of Choonhyang by China, Korea and Japan
  • Boris Daussà-Pastor (The Graduate Center / Brooklyn College, City University of New York, USA):
    Traditions on the Plane. Where is Kathakali Travelling Today?
  • Peter Eckersall (University of Melbourne, Australia):
    Cine-Dance and the Radical Politics of Intermedia Space in 1960s Japan
  • Paul Rae (National University of Singapore, Republic of Singapore):
    Dance in the Time of the Swine Flu
  • Lim How Ngean (National University of Singapore, Republic of Singapore):
    The Tradition will be Televised. The Modern Dance Dramas of Aznanin Ahmad
  • Mitsuya Mori (Seijo University, Japan):
    Bilingual Inter-Asian Performances in Japan
  • Yasushi Nagata (Osaka University, Japan):
    Asian Performances in Contemporary Japanese Theatre

Please contact your conveners for programme details.