WG Asian Theatre
Day 1 / Sunday, July 25 & Day 2 / Monday, July 26
Venue & Room: LMU Leopoldstr. 13, Room 1210
Conveners: Mitsuya Mori (Seijo University, Japan), Yasushi Nagata (Osaka University, Japan)
Day 1 / Sunday, July 25
- Kirstin Pauka (University of Hawaii, USA):
Changing Gender Roles in Indonesian Theatre - Kaori Okado (Osaka City University, Japan):
When Women are Kings. Cross-Gendered Expression in All-Female Central Javanese Court Dance Drama and its Public Reception - Shoko Yonaha (University of Ryukyus, Japan):'
Identity and Ideology in Modern Okinawa as seen in the Play Saraba Fukushu Ryukyukan (Good-bye Fujian Ryukyu Consulate) and Shurijo Akewatashi (Surrender of Shuri Castle) from the Period of Annexation by Japan in 1879 - Masae Suzuki (Kyoto Sangyo University, Japan):
How Can Noh/Kyogen Contribute to Shakespeare Productions, and How Can Shakespeare Contribute to Indigenous Theatre in Asia? - Elzbieta Koldrzak (University of Lódz, Poland):
Indian Traditional Topos of the Womanhood in the Heroine of Classical Drama - Ming Yang (University of Hawaii, USA):
Women on Asian Stage, But not Female. A Study of Mei Lan Fan and Tamasaburo Bando
Day 2 / Monday, July 26
- Meewon Lee (Kyung-Hee University, Korea):
The Possible Creation of a Far Eastern Intercultural Theatrical Block. The Joint Production of The Story of Choonhyang by China, Korea and Japan - Boris Daussà-Pastor (The Graduate Center / Brooklyn College, City University of New York, USA):
Traditions on the Plane. Where is Kathakali Travelling Today? - Peter Eckersall (University of Melbourne, Australia):
Cine-Dance and the Radical Politics of Intermedia Space in 1960s Japan - Paul Rae (National University of Singapore, Republic of Singapore):
Dance in the Time of the Swine Flu - Lim How Ngean (National University of Singapore, Republic of Singapore):
The Tradition will be Televised. The Modern Dance Dramas of Aznanin Ahmad - Mitsuya Mori (Seijo University, Japan):
Bilingual Inter-Asian Performances in Japan - Yasushi Nagata (Osaka University, Japan):
Asian Performances in Contemporary Japanese Theatre
Please contact your conveners for programme details.