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WG Historiography


Day 1 / Sunday, July 25 & Day 2 / Monday, July 26

Venue & Room: LMU Leopoldstr. 13, Room 2401

Conveners: Jim Davis (University of Warwick, UK), Jan Lazardzig (Free University Berlin, Germany), Yael Zarthy-Levo (Tel Aviv University, Israel)


Day 1 / Sunday, July 25

  • Rainer Godel (University of Halle, Germany):
    "One Small Favorite Prejudice"? How 18th-Century Philosophy Instrumentalized the Critique of Prejudices
  • Mary Helen Dupree (Georgetown University, USA):
    Modernity as Antitheatrical Prejudice. Interrogating the Notion of "Verbürgerlichung" in 18th-Century German Theatre
  • Rosemarie Bank (Kent State University, USA):
    Friedrich Engels, Lewis Henry Morgan, Theatre and Prejudice in 19th-Century America
  • Jim Davis (University of Warwick, UK):
    Proud and Prejudice. The Impact of Modernism and Modernity on European Theatrical Representations of and in India in the mid- to late 19th and early 20th Century
  • Robin C. Whittaker (University of Toronto, Canada):
    Prejudices of Professionalization in Theatre Historiography
  • John Carnwath (Northwestern University, USA):
    Theatre Enterprise in Modern Economy


Day 2 / Monday, July 26

  • Michal Kobialka (University of Minnesota, USA):
    Modernity as Prejudice. Commerce and Real Abstractions in 18th-Century London
  • Sarit Cofman-Simhon (Kibbutzim College, Israel):
    Exagoge by Ezekiel of Alexandria, and the Modern Rhetoric of Jewish Theatre
  • Mary Caulfield and Stephen E. Wilmer (Trinity College Dublin, Ireland):
    Monuments and Landscapes in the Performance of the Nation
  • Pirkko Koski (University of Helsinki, Finland):
    A Folk Play Challenging the National Theatre to Defend its Cultural Image. How to Break the Canon Created by Modern Historiographical Tradition?
  • Ioulia Pipinia (Aristotle University of Thessaloniki, Greece):
    New Rules, Old Dilemmas. Shaping a Historiography Canon for Modern Greek Theatre
  • Svein Gladsø (Norwegian University of Science and Technology, Norway):
    The Role of Audience Reception in the Construction of Historical Narratives

Please contact your conveners for programme details.