WG Performance as Research

Day 1 / Sunday, July 25 & Day 2 / Monday, July 26

_{Venue & Room: LMU / TWM Ludwigstr. 25, Studio stage}

Conveners: Anna Birch (Royal Scottish Acadamy of Music and Drama, UK), Mark Fleishman (University of Cape Town, South Africa)

• Cynthia Ashperger (Ryerson University, Canada):
  Repetition as the Active Meditation: Staging A Summer's Day by Jon Fosse
• Yvon Bonenfant (Wesleyan University, USA):
  Repetition of Tactilities. The Living and the Dead
• June Boyce-Tillman (University of Winchester, UK):
  Orality and Literacy in the Composing Process
• Jonathan Heron (University of Warwick, UK):
  The Same Old Things. Beckett, Repetition and the Practice of Failure
• Mark Hunter (University of East London, UK):
  Process(ion) or Walking Forward
• Kathleen Irwin (University of Regina, Canada):
  Reiteration and Reciprocity. Things Slip In
• Mary Krell (University of Sussex, UK):
  Iterative, Generative, Performative…
• Holly Maples (University of East Anglia, UK):
  The Signs of Meaning / the Meaning of Signs. Repetition in Performance
• Helen Newall and Karen Lauke (Edge Hill University, UK):
  Dreaming the Silence. An Un-Trance-lated Performance
• Elaine O'Sullivan (University of Bristol, UK):
  Re-enactment as Traumatic Return
• Stefanie Sachsenmaier (Middlesex University, Royal Holloway and Queen Mary University of London, UK):
  Performance-making as a Process-specific Discipline. The "Dispositif" as a Conceptual Tool for the Theorisation of Performance-making Processes
• Marianne Sharp (University of Winchester, UK):
  What Kinds of Knowledges Emerge From Repeating Within Our Creative and Production Processes?

_{Please contact your conveners for programme details.}