WG Scenography

Day 1 / Sunday, July 25 & Day 2 / Monday, July 26

_{Venue & Room: LMU Leopoldstr. 13, Room 1205}

Conveners: Dominika Larionow (Poland), David Vivian (Brock University, Canada)

• Whitney Byrn (University of Copenhagen, Denmark):
  The Development of Theatrical Space at the Danish Royal Theatre 1785-1842
• Jane Collins (Wimbledon College of Art, UK):
  Embodied Presence and Dislocated Spaces: Ten Thousand Several Doors a Site Specific Re-staging of John Webster's The Duchess of Malfi
• Claudine Elnécavé (Haifa University, Israel):
  The Relationship between the Dramatic Test and Theatrical Space in Montherlant's Plays
• Irene Eynat-Confino (Tel Aviv University, Israel):
  The Sky is the Limit: Setting Free and Setting Loose the Theatre
• Harry Feiner (City University of New York, USA):
  Space, Memory and the Experience of Theatre
• Miranda Heckenberg (University of Sydney, Australia):
  Discourses of Modernity in the Contemporary Practice of Australian Scenographers
• Tal Itzhaki (Haifa University, Israel):
  Inside Out. Can Theatre Interface be Transparent - And what is behind?
• Valerie Kaneko-Lucas (Regent's College, London):
  Site Under Construction: Immersive Site-specific Performances
• Karolina Prykowska Michalak (University of Lodz, Poland):
  Modernity in a Postdramatic Epoch. Stage for Kafka
• Cordula Quint (Mount Allison University, Canada):
  Staging History – Scenographically: Kinetic Metaphors and Spatial Transfiguration in Le Dernier Caravansérail and Les Éphémères
• Gavin Semple (University of Calgary, Canada):
  Re/frames of Mind: Interrogating the Society of Technology
• Alla Sosnovkaya (Haifa University, Israel):
  Symbols of Light and Sun in the Aesthetic of Futurism
• David Vivian (Brock University, Canada):
  Research and Creation in Institutional Pedagogy: A Personal Reflection upon the Legacy of the Bauhaus to Contemporary Teaching Practice in Scenography

_{Please contact your conveners for programme details.}